April 24–July 20, 2019

Curated by Jonathan Weinberg, Tyler Cann, and Drew Sawyer, "Art after Stonewall, 1969–1989" will be presented in two parts: at New York University’s Grey Art Gallery and the Leslie-Lohman Museum of Gay and Lesbian Art. Coinciding with the 50th anniversary of the Stonewall Uprisings, the exhibition features over 200 works of art and related visual materials exploring the impact of the Lesbian, Gay, Bisexual, Transgender, and Queer (LGBTQ) liberation movement on visual culture. Works from Sunil Gupta's “Christopher Street, New York 1976” will be on view.

Link to Event Page (Link)
Grey Art Gallery
New York University
100 Washington Square East
New York, NY 10003
USA

October 17 – 21, 2018

Images from Gupta's "From Here to Eternity” will be featured in a group exhibition on "Activist Art" entitled Life-Blood as part of the Bloombury Festival.

Sunil Gupta on this body of work: "I made these works partly in response to a period of illness brought on by the HIV. I thought that it might be time to think about how the virus affects my life. I ended up with these six diptychs. They were made in the darkroom as straight forward negative positive prints. Printing one's work in the darkroom is still magical as opposed to the digital printing that has largely taken over. The process itself seemed therapeutic."

Link to Event Page (Link)
The Crypt Gallery
Euston Road (Entrance Dukes's Road), London, NW1 2BA
England

24 June 2017 at 16.00–16.45

Sunil Gupta will be leading a walk and discussion of works on display in the exhibition Sixty Years at the Tate Britain that crucially addressed race, gender, homosexuality and AIDS in the 1980s.

Tour: Sunil Gupta: Ten Years On and Other Stories
Tate Britain
London

February 2017

The esteemed photography festival, FOTOFEST, has announced that the lead curator for its 2018 Biennial will be SepiaEYE artist Sunil Gupta. Gupta is an excellent choice given the Biennial’s theme: INDIAContemporary Photography and New Media Art.

As a large, multilingual subcontinent, India has always relied on images to maintain a cohesive whole across myriad subcultures, regions, castes and languages. The introduction of photomechanical imaging in the nineteenth century enabled the rapid reproduction and dissemination of both spiritual and scientific ideals. Photography for most of its history was too expensive and technical and was left in the hands of ‘experts’ — until the birth of digital technologies and the arrival of the mobile phone, which has given more than 800 million people in India the power to make their own photographs and moving images. This exhibition will address the legacy of the last twenty years, a period when photography and moving image media have been consistently included within critical exhibitions of fine art. –Sunil Gupta

We can’t wait to see what he and co-curator Steven Evans select.

10 March – 22 April 2018
FOTOFEST 2018 BIENNIAL LINK
Read Article (PDF)
Houston, Texas USA

On view through February 2018

Tate Britain has rehung their contemporary section, Sixty Years of their “Walk through British Art,” and two works by Sunil Gupta are now on view. Untitled from the series, Reflections of the Black Experience, 1986 and Ian and Julian, from the series Ten Years On, 1986.

On view through February 2018
Sixty Years LINK
Tate Britain, London

1 January 2017

Sunil Gupta was interviewed for Dreck Magazine (published January 1, 2017). He talks about his beginnings in photography as well as the current LGBTQ situation in India. The article features a selection of images from his entire and prolific career.

1 January 2017
Dreck Magazine LINK
Read Article (PDF)

September 2015

Sunil Gupta’s body of work, “Pretended” Family Relationships is included in Capricious Magazine Issue No. 16: “EX.” Initiated in 2004 as a photography journal, each edition of the publication focuses on a theme. “EX” refers to the broad concept of exes: former or disguised selves, peoples, and places. Copies of “EX” are available at the gallery for $35 USD. Please contact the gallery for ordering information.

July 9 – August 29, 2015

Works from Sunil Gupta’s series, Christopher Street, Exiles, and Mr. Malholtra’s Party will be featured in this year’s Fotofest International, “I AM A CAMERA: LGBTQ Communities Seen From Within.”

Link to Event (Link)
I AM A CAMERA: LGBTQ Communities Seen From Within
FOTOFEST INTERNATIONAL
Houston

February 5 – May 20, 2015

Presented in collaboration with sepiaEYE, the exhibition Queer Migrations: Family, Identity and Place, features two bodies of photographs by Sunil Gupta: “Homelands” (2001-2003) and “Mr. Malhotra’s Party” (2007-). The exhibition is presented in tandem with a seminar series which uses Yale’s collection of South Asian photography as its starting point. The first session on Contemporary Photographic Practices in South Asia has the artist Sunil Gupta and sepiaEYE’s Esa Epstein as panelists.

Link to Event Page (Link)
Sunil Gupta: Queer Migrations: Family, Identity and Place
Whitney Humanities Center at Yale
New Haven, CT

January 8, 2015

In 2006, London’s famous Whitechapel Gallery and the MIT Press formed an editorial alliance to produce a new series of books titled “Documents of Contemporary Art.” Radhika Singh’s interview with Sunil Gupta (Exposure magazine, 2008) is featured in the Sexuality issue.

Creative Studio, Whitechapel Gallery
Sexuality: Documents of Contemporary Art (Whitechapel Gallery and MIT press)
London

November 2014

Published by Taschen, Forever Butt–- a 534 page compendium of the “best and the baddest” from Butt magazine— will feature Sunil Gupta’s Christopher Street series from 1976.

Link to Publisher (Link)
Forever Butt
Edited by Jop van Bennekom & Gert Jonkers Taschen

October 20 – December 19, 2014

“Metro: The Building of Delhi,” featuring the work of artists Verena Jaekel and Sandip Kuriakose is an exhibition curated by sepiaEYE artist, Sunil Gupta. “Metro” is a part of the 6th European Month of Photography, Berlin.

Link to Event (Link)
Metro: The Building of Delhi
Das Foto Image Factory GmbH
Berlin