Vivan Sundaram at Coomarswamy Hall

17 - 25 March, 2017

Meanings of Failed Action: Insurrection 1946 is a monumental installation intended as a work of public art to explore, dissect, and examine the “failure” of the Royal Indian Navy’s six-day insurrection against the colonial government. Within Sundaram’s ship-like steel and aluminum object is a performance space that plays a sound work by British artist David Chapman. Visitors can read newspaper reports, telegrams from the Empire, and books on the Insurrection from various view points and distances— compiled and conceptualized by Ashish Rajadhyaksha with Valentina Vitalli. This is a continuation of Sundaram’s “history projects” in which he uses historical events (“unresolved histories”) to explore their impact and the alternate futures they could have created.

Link to Event (Link)
Vivan Sundaram and Ashish Rajadhyaksha: Meanings of Failed Action: Insurrection 1946
Coomarswamy Hall
Mumbai, India

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Atul Bhalla at Kailash Cartographies

13 March – 2 April, 2017

 

Bhalla’s photographic installation is featured in Kailash Cartographies, at The New School’s Aronson Gallery. An exhibition of artists from India, China, Nepal, and the US, Kailash Cartographiesexplores conceptions of sacred geographies: holy spaces, pilgrimages, and intersections with secular, personal, and political spaces and borders.

“Atul Bhalla’s photographic installation, titled Contemplating Drowning also considers the tragic pollution of the Bagmati river, but through the figure of Shiva, who is thought to create and destroy the universe in the blink of the eye. Bhalla juxtaposes the brass monkeys from the Golden Temple in Kathmandu with images of oil lamps, that appear like spirits which may be snuffed out by the river, photographed here at dusk.”

Kailash Cartographies LINK
Arnold and Sheila Aronson Galleries
66 Fifth Ave. New York, NY 10003

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Sunil Gupta named Lead Curator for Fotofest 2018

February 2017

 

The esteemed photography festival, FOTOFEST, has announced that the lead curator for its 2018 Biennial will be SepiaEYE artist Sunil Gupta. Gupta is an excellent choice given the Biennial’s theme: INDIAContemporary Photography and New Media Art.

As a large, multilingual subcontinent, India has always relied on images to maintain a cohesive whole across myriad subcultures, regions, castes and languages. The introduction of photomechanical imaging in the nineteenth century enabled the rapid reproduction and dissemination of both spiritual and scientific ideals. Photography for most of its history was too expensive and technical and was left in the hands of ‘experts’ — until the birth of digital technologies and the arrival of the mobile phone, which has given more than 800 million people in India the power to make their own photographs and moving images. This exhibition will address the legacy of the last twenty years, a period when photography and moving image media have been consistently included within critical exhibitions of fine art. –Sunil Gupta

We can’t wait to see what he and co-curator Steven Evans select.

10 March – 22 April 2018
FOTOFEST 2018 BIENNIAL LINK
Read Article (PDF)
Houston, Texas USA

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Sunil Gupta at the Tate Britain

On view through February 2018

 

Tate Britain has rehung their contemporary section, Sixty Years of their “Walk through British Art,” and two works by Sunil Gupta are now on view. Untitled from the series, Reflections of the Black Experience, 1986 and Ian and Julian, from the series Ten Years On, 1986.

On view through February 2018
Sixty Years LINK
Tate Britain, London

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Vivan Sundaram's Terraoptics in the News

23 January 2017

 

Vivan Sundaram’s photo installation, Terraoptics reviewed in the January 23rd issues of The Hindu and The New Indian Express. Terraoptics (14 Dec 2016 – 10 Feb 2017) will be on view at Gallery Sutra, Fort Kochi.

Look for Terraoptics at sepiaEYE opening May 9th, 2017.

23 January 2017
“Pot-shards speak history” LINK 
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“Capturing Earth’s Incandescence” LINK
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sepiaEYE Artists in Part Narrative

27 June – 6 August 2017

 

sepiaEYE artists Annu Palakunnathu Matthew, Atul Bhalla, and Nandita Raman are amongst a dozen artists in a wonderful multi-disciplinary show curated by Gayatri Sinha. Part Narratives will be on view through January 21, 2017 at Bikaner House, New Delhi.

7 – 21 January 2017
Part Narratives
Curated by Gayatri Sinha
Bikaner House, New Delhi

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sepiaEYE in Journal of the Print World

January 2017

 

sepiaEYE was featured as one of the galleries that Skinner Auctions Photography Specialist, Michelle Lamunière states that she “makes sure to visit when she goes gallery hopping” in her article for the January 2017 edition of Journal of the Print World.

January 2017
“Looking for Contemporary Photography? Don’t Miss These Venues in New York!” by Michelle Lamunière LINK
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Annu Palakunnathu Matthew at the Smithsonian

May 28th - 29th, 2016

 

Annu Palakunnathu Matthew is one of the 40+ artists and scholars participating in CrossLines: A Culture Lab on Intersectionalitycreated by the Smithsonian Asian Pacific American Center.

During Memorial Day weekend, CrossLines will be a creative convening of art installations, performances and dialogues that explore the theme of intersectionality: identities as those formed through artistic, cultural and historic encounters across race, class, gender, sexuality and more.

May 28th-29th, 2016
CrossLines: A Culture Lab on Intersectionality
Smithsonian Arts & Industries Building
900 Jefferson Dr. SW, Washington, D.C.

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sepiaEYE Artists at CITY PANORAMA 2016

May 2016

 

Images by Annu Palakunnathu Matthew and Osamu James Nakagawa have been selected to be a part of Seattle’s 2016 City Panorama. These works will be installed in King County Metro shelters for up to 10 years.

CITY PANORAMA 2016
Various Locations, Seattle
This public art project is now in its sixth year, and has successfully continued to bring beauty and art to public spaces via this partnership with King County Metro and the Photographic Center Northwest (PCNW).

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Koichiro Kurita at the Farnsworth

April 16 – September 11, 2016

 

From the Smallest Leaf features Koichiro Kurita’s Maine photographs taken in his inimitable style. The selection on view of these timeless hand-made prints encompass Kurita’s philosophic view of nature, “Chi Sui Ki” (terrasphere, hydrosphere, and atmosphere), and how the borders of these realms share with one another and ourselves.

Koichiro Kurita: From the Smallest Leaf
Farnsworth Art Museum

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Pamela Singh in Picture This

December 6, 2015 - April 3, 2016

Picture This at the Philadelphia Museum of Art featured the work of four contemporary photographers: Gauri Gill, Sunil Gupta, Max Pinckers, and Pamela Singh. “Diverse in nationality and place of residence, each of these artists brings a cosmopolitan perspective to his or her work. Whether photographing in rural Rajasthan or major cities like Mumbai or New York, they offer points of view that do not fit easily into categories of ‘insider’ or ‘outsider.’ ”

Link to Event (Link)
Philadelphia Museum of Art

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sepiaEYE Artist and Curator Nandita Raman ICP Interview Series

October 27, 2015

sepiaEYE Artist Nandita Raman— and Curator of our exhibition, “I need my memories. They are my documents.”— has conducted a series of interviews with the artists in the show for the International Center of Photography website. Check out her interviews with Pradeep Dalal, Osamu James Nakagawa, Neal Oshima, and Shambhavi Kaul.

Pradeep Dalal Interview (Link)
Osamu James Nakagawa Interview (Link)
Neal Oshima Interview (Link)
Shambhavi Kaul Interview (Link)

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Bhupendra Karia Delhi Photo Festival

October 27 – December 15, 2015

The Delhi Photo Festival 2015 (October 30 – November 8) will feature the exhibition Transitions and Trajectories: Photographs by Bhupendra Karia in conjunction with Apparoa Galleries at The Lodhi, Lodhi Road, New Delhi. The exhibition which has been mounted in Mumbai and Jodhpur will now be on display at the Lodhi until 15 December 2015.

Transitions and Trajectories: Photographs by Bhupendra Karia
Apparoa Galleries – The Lodhi
Lodhi Road, New Delhi

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Vivan Sundaram in DART

October 14, 2015

The work of Vivan Sundaram was recently highlighted by Peggy Roalf for DART- Design Art Daily, a publication of AI-AP (American Illustration, American Photography). His vintage work from sepiaEYE’s exhibition “I need my memories. They are my documents.” is featured. Read the article here (Link)

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